ATNE is pleased to host an afternoon gallery event with two artists, Will Pappenheimer and John Craig Freeman, from ARt: Augmented Reality, the current exhibition at Boston Cyberarts. This will give the public a rare opportunity to converse with artists working at the forefront of the emerging Augmented Reality field.
When: Saturday, Oct. 29th, 4:00–6:00pm (note that this event is on a Saturday)
Where: Boston Cyberarts Gallery, 141 Green St., Jamaica Plain, MA (next to the Green Street Station)
Presenters: Will Pappenheimer and John Craig Freeman
RSVP to gro.e1553515561nta@o1553515561fni1553515561 or on our Facebook event. Space is limited.
About the Presenters
Will Pappenheimer is a Brooklyn based artist and educator working in new media, performance and installation with an interest in institutional or spatial intervention and the altered meaning of things. His work often explores the confluence and tension of the virtual and physical worlds. For the past six years he has pioneered the use of mobile augmented reality as an artistic medium and is a founding member of the international Manifest.AR collective. His projects and performances have been shown at Whitney Museum of American Art, LACMA, Los Angeles; San Francisco MOMA; Stedelijk Museum in Amsterdam; FACT, Liverpool, UK; the Contemporary Istanbul Art Fair and Alt Art Space in Istanbul; Kunstraum Walcheturm, Zurich; Fringe Exhibitions in Los Angeles; the ICA, Boston; the Museum of Fine Arts, Boston; Exit Art and the New Museum in New York; the Corcoran Gallery of Art in Washington; the Golden Thread Gallery, Belfast; FILE, Sao Paulo, BR; Turbulance.org; Xi’an Academy of Art Gallery in China. The artist’s works have been reviewed in Christiane Paulʼs recent historical edition of “Digital Art,” Art in America, New York Times, Hyperallergic.org, WIRED, Modern Painters, the Boston Globe, EL PAIS, Madrid, Liberation, Paris, and Art US. He teaches new and locative media at Pace University, New York.
John Craig Freeman is a public artist with over twenty-five years of experience using emergent technologies to produce large-scale public work at sites where the forces of globalization are impacting the lives of individuals in local communities. With his work, Freeman seeks to expand the notion of public by exploring how digital networked technology is transforming our sense of place. Freeman is a founding member of the international artists collective Manifest.AR and he has produced work and exhibited around the world including in London, Mexico City, Calgary, Havana, Kalinigrad, Warsaw, Zurich, Belfast, Venice, Istanbul, Copenhagen, Milano, Sydney, Singapore, Liverpool, Coimbra, Basel, Paris, across America as well as Beijing, Xi’an, Wuhan and Hong Kong. In 2016 he traveled to Wuhan China as part of the ZERO1 American Arts Incubator. In 2015, he was the recipient of a commission from the Los Angeles County Museum of Art’s Art + Technology program. He has also had work commissioned by Rhizome.org and Turbulence.org and he was awarded one of the last Individual Artist Fellowships by the NEA in 1992. His work has been reviewed in The New York Times, El Pais, Liberation, Wired News, Artforum, Ten-8, Z Magazine, Afterimage, Photo Metro, New Art Examiner, Time, Harper’s and Der Spiegel. Christiane Paul cites Freeman’s work in her book Digital Art, as does Lucy Lippard in the Lure of the Local, and Margot Lovejoy in Digital Currents: Art in the Electronic Age. His writing has been published in Rhizomes, Leonardo, the Journal of Visual Culture, and Exposure. Freeman received a Bachelor of Art degree from the University of California, San Diego in 1986 and a Master of Fine Arts degree from the University of Colorado, Boulder in 1990. He is currently a Professor of New Media Art at Emerson College in Boston.